到底这部青年人制作是否就是片中自谑「那些每日特别放映一场的闷戏」？陈家乐饰演的怀才不遇电影学院毕业生自中学恋上同是戏剧学会的成员阿殷（乐队坏碑唇主音Yuki），但青涩爱情能否经历成长考验？于美国UC Berkeley MBA毕业的周永恒一年来见工数十份却无一成功，到底是不幸还是真正「高分低能」？中学生刘振安恋上年长四届学姊陈嘉宝，日夜思考相遇是遇然还是命运，单向倾慕能否一日开花结果？ 《超级巨星》陈康健接手亲戚留下来的乐器铺，纵有不凡歌唱技巧，歌手梦却被家人极力反对，最终应面对现实还是继续寻梦？四位年轻人相遇相知，迷茫渡日却最少曾经青春过。再看客串的善良班主任梁雨恩、看破世情的训导廖启智、甚或放弃了音乐理想的刘以达，这部剧情长片都给人一种独特清新感觉。
发布于1974年。由李溯执导，并且由编剧浪淘沙携幕后团队创作。集众多位路小慧、高飞、苏真平、江明洋、何玉华、武德山、闵敏、杨烈、鍾湘雯等著名实力派明星加盟。
南剑丁梦豪（鲁平）号称天下第一剑，江湖剑士多伤其剑下，但一日， 丁竟败于路过的怪道人烟杆下；为履行诺言，乃屈从怪道人苦修三年。期间，丁不胜其苦， 雕山门前巨石，竟学成石工，实为怪道人磨其锐气，而暗中教化也。三年期满，怪道人临别赠言，谓其如欲生，则必先死。
物理学家安德烈·路易斯自杀后来到了一片绝望之地，随后一道亮光从天而降，把他带到了圣城家园——所有和他类似人的归宿地，这里地肥水美，他结交了很多朋友，同时也遇上了自己的劲敌：他过去的自己。他必须返回人间，证明自己灵魂的清白才能重返圣城家园。天上一日，世间十年，下凡的他能否挽回再婚的妻子和疏离的儿女之间的情感呢？导演用一种马尔克斯式的叙事体例，为观众展示了生命的美好和灵魂的价值。
Specialists gather in a top-secret facility to investigate a series of strange deaths on beaches along the Atlantic Ocean. One of the team's scientists (Nana Gouvea) examines video evidence to uncover a possible parasitic explanation for the fatalities. But when a determined detective (Tom Sizemore) sends her the crazed writings of a mysterious homeless man (Jonny Beauchamp), the scientist slowly learns that the actual threat may be more dangerous -- and far older -- than anyone ever imagined. Can she convince her colleagues (led by Eric Roberts) of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
四名坦桑尼亚妇女因在达累斯萨拉姆市忍受极端艰苦的生活而不知不觉地联系在一起。
周申玉（沈殿霞 饰）与关德兴（董骠 饰）育有一子关仁坚（张学友 饰）。周申玉不甘被邻居看扁，丈夫儿子都需要常帮助她在邻居面前出风头。其实关德兴多年来一直想念着往日的旧情人李消云（邓碧云 饰），当年因为母亲反对，他才与阿玉结婚了。
大概是法国第一部描写女同志的故事片吧。 Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952. French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
