Lolle's love life in Berlin is as complicated as ever. After the story with Sven, her second cousin, was over, she m.yakubd.cc got together with her best friend Hart and the two are about to get married. That is, if Sven doesn't ruin things.
A shy outsider tries to make friends with the popular high school cheerleader and seeks revenge afte...
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茱莉亚沉迷于摩托车,在街头特技活动中她结识并混入了一个偷盗改装摩托车的全男性成员组织。这部充斥着叛逆、亢奋、热血和犯罪的飙“摩”电影出自法国导演洛拉·基沃龙之手。主演朱莉·拉杜也是导演在长期潜伏于摩托车特技圈中,从社交平台上挖来的,并将其经历写进电影,最终创作出这位模糊了性别边界的主角,以其为喻体来展现特殊性别气质的人物,并解构以阳刚为标签的极限街头文化。荣获2022年戛纳电影节一种关注单元评委会特别奖。
派波(劳伦斯费许朋饰)是个一板一眼的落难英雄,不幸琅珰入狱,更不幸的是,狱方将他和道吉(史蒂芬鲍德温饰)铐在一起,在乔治亚州的树林内进行劳役。道吉是个电脑骇客高手,专门利用电脑窃取跨国际大公司的存款,可是他犯了一个大忌,她挑上的对象竟是古巴黑手党成立的傀儡公司。他不但〝读〞走古巴黑手党钜额的存款,还拷贝了一片足以瓦解黑道帝国的电脑磁碟片,但是对这个跨国际企业的“黑色背景”他却一无所知。古巴人想要夺回他们的钱和磁片,联邦警方千方百计要磁片的秘密档案,而原为警察的派波因为涉及毒品交易而被拖下水入狱,警方指派他卧底盯准道吉,如果他找到道吉手上的磁片,他就能提早出狱。没想到派波与道吉进行劳役时,突然爆发枪战,他们被迫越狱逃亡,手铐相连穿过乔治亚州的浓密树林,来到繁华的南方大都会亚特兰大市。 白道黑道都要取他们的命,黑白两悍将被情势所逼,在72小时之内一方面必须快马加鞭甩开追兵,另一方面得解开错综复杂的阴险计谋,逃过危机四伏的死亡陷阱。徒步、驾卡车、飙重型机车,与轨道上急驰而来的列车展开百米赛跑,走头无路坠入奔流的急湍…不择手段、不允许片刻思索。他们更要学著忍受彼此的个性和被铐在一起的处境,并扣准双方的节拍,携手拼老命的逃逃逃!
本片描述了李渊在李世民和李建成的力促下,终于顺应潮流,在太原举义起事,与此同时隋炀帝在江都被叛乱的禁军俘获,从而将一个大一统的国家搞得四分五裂,最后在全国混战中走向末路的故事。该片将李世民置于中心位置,赋予其察识和顺应历史潮流的卓越品格,并以他本人阐发过的“民本”思想贯彻始终,既有大开大阖的战争场面,也有细腻温婉的情感叙说,至于隋炀帝暴政、义军蜂起、宇文化及篡位等重大历史事件无不严格依照史实,还原历史情境,看点十足。
“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present. The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen