大西洋城
9903
9.0
HD
大西洋城
9.0
更新时间:3小时前
主演:伯特·兰卡斯特,苏珊·萨兰登,凯特·瑞德,米歇尔·皮科利,Hollis McLaren,罗伯特·乔伊,阿尔·韦克斯曼,罗伯特·顾雷特,Moses Znaimer,安格斯·麦金尼斯,肖恩·沙利文,华莱士·肖恩,哈维·阿金,Norma Dell'Agnese,路易·德·莫尼克,约翰·麦柯瑞,埃莉诺·碧克劳夫特,塞克·林德,肖恩·麦卡恩,Vincent Glorioso,Adèle Chatfield-Taylor,Tony Angelo,Sis Clark,Gennaro Consalvo,
简介:

  70年代末,刚刚开放赌场业的大西洋城正处在新旧时代的交替之中。莎莉在一家合法赌场做女招待,并跟随一个法国人学习如何做庄家,希望有朝一日到拉斯维加斯去赚大钱。和莎莉同住在一间公寓里的巴歇尔,现在是老寡妇格蕾丝的情夫和管家,一直暗恋着莎莉。大卫结识了巴歇尔,利用他贩卖古柯碱,但很快被黑手党杀了。黑手党没有找到毒品,就来找莎莉,巴歇尔杀掉了两名黑社会枪手,驾车带着莎莉逃亡到佛罗里达。莎莉在汽车旅馆偷走了一部分卖毒品的钱,前往拉斯维加斯寻梦,巴歇尔虽然知道但也没有阻止。巴歇尔给格蕾丝打电话说自己是警方通缉的凶手,便又回到了大西洋城。两个人卖掉剩下的毒品,沿着海滨大道愉快地散步,身后是正在飞速变化的大西洋城。

2565
1980
大西洋城
主演:伯特·兰卡斯特,苏珊·萨兰登,凯特·瑞德,米歇尔·皮科利,Hollis McLaren,罗伯特·乔伊,阿尔·韦克斯曼,罗伯特·顾雷特,Moses Znaimer,安格斯·麦金尼斯,肖恩·沙利文,华莱士·肖恩,哈维·阿金,Norma Dell'Agnese,路易·德·莫尼克,约翰·麦柯瑞,埃莉诺·碧克劳夫特,塞克·林德,肖恩·麦卡恩,Vincent Glorioso,Adèle Chatfield-Taylor,Tony Angelo,Sis Clark,Gennaro Consalvo,
愚人船1965
9949
1.0
HD
愚人船1965
1.0
更新时间:3小时前
主演:费雯·丽,西蒙·西涅莱,何塞·费勒,李·马文,奥斯卡·威内尔,伊丽莎白·阿什利,乔治·席格,何塞·格列柯,迈克尔·邓恩,查尔斯·科尔温,海因茨·吕曼,莉利亚·斯卡瓦,芭芭拉·卢纳,克里斯蒂亚娜·施米特默,阿尔夫·切森,维尔纳·克伦佩雷尔,约翰·文格拉夫,Olga Fabian,吉拉·戈兰,Oscar Beregi Jr.,斯坦利·亚当斯,Kaaren Verne,亨利·卡尔文,David Renard,安东尼奥,埃迪·贝克,Vicki Cos,Walter Friedel,史蒂文·杰雷,彼得·马马科斯,C
简介:

  本片描述1933年德国的纳粹势力崛起时,在一艘由墨西哥驶往柏林的大客轮上发生了诸多荒谬可笑的事,反映出在特殊的时代氛围下大千世界的人生缩影。船员都是德国人,其中还包括船上的医生,他爱上了其中的一名女乘客。此外还有一个年轻的美国女孩,是和她爱着的男人一起旅行。对于其他乘客来说,神秘的珍妮令人琢磨不透,但是有一个著名的人物却引起了她的注意。
  一九三三年德国纳粹崛起时,有一艘客轮自南美载客至柏林,本片就是描述船上各式各样的乘客在航行途中的生活片段。这是一部在大时代背景下的小缩影,剧本结构严密,对白精彩有力,而导演斯坦利.克雷默的执导手法沉稳而细腻,同时表现出时代洪流的冲突与乱世人生的无奈。演员费雯.丽、奥斯卡.沃纳、李.马文、乔治.席格等都演得十分成功,使这部群戏教人印象难忘。此片是费雯.丽的最后一部作品,她时年五十二岁。本片曾获最佳黑白片摄影、最佳黑白片艺术指导两项金像奖。

224
1965
愚人船1965
主演:费雯·丽,西蒙·西涅莱,何塞·费勒,李·马文,奥斯卡·威内尔,伊丽莎白·阿什利,乔治·席格,何塞·格列柯,迈克尔·邓恩,查尔斯·科尔温,海因茨·吕曼,莉利亚·斯卡瓦,芭芭拉·卢纳,克里斯蒂亚娜·施米特默,阿尔夫·切森,维尔纳·克伦佩雷尔,约翰·文格拉夫,Olga Fabian,吉拉·戈兰,Oscar Beregi Jr.,斯坦利·亚当斯,Kaaren Verne,亨利·卡尔文,David Renard,安东尼奥,埃迪·贝克,Vicki Cos,Walter Friedel,史蒂文·杰雷,彼得·马马科斯,C
四重奏
9941
9.0
DVD
四重奏
9.0
更新时间:3小时前
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
简介:

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

8874
1981
四重奏
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
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